
1:20
seconds; 27 mb |
The
Disappearing Act - Breakdown |
1/08 |
The
effects for this film were the most challenging vfx work I've
done. I didn't feel like I was in over my head though, which
was great.
The
thing that made this different was really the fact that there
was a real deadline, and a real possibility that my work would
end up in theaters. Unfortunately this didn't happen, but I
spent a great deal of time trying to make the effects stand
up to close scrutiny. Check out the film here. |

44
seconds; 14 mb |
Spider |
10/07 |
This
was a project I did for my VFX-Based Cinematography class.
I actually shot, edited, modeled, textured, rigged, tracked,
rendered and composited the elements for this project in one
weekend. The only shot I'm really proud of is the first one
of the spider coming off the wall. None of the other ones stand
up to scrutiny because I was so rushed.
But
I think it ended up looking pretty cool. :) |

13
seconds; 1.6 mb |
Pole
Bend - Telekenisis |
3/07 |
I
did these shots for a movie that my roommate at SCAD made.
The movie's about a guy who believes he has superpowers. But
really doesn't.
Anyway,
I modeled and animated the lightpole in Blender, and composited
with Shake. The first shot was very challenging because there's
a transition between the real lightpole and the digital one.
For that shot, I used only 2D tracking. The second shot involved
a 3D track done with Icarus. This was a really fun sequence
to work on. |

3.5
seconds; 700 k |
Juggling
Ideas |
12/06 |
Whoa...
it's been almost two full years since I updated this page!
I've been doing a lot of visual effects since "Magic Trick",
but they've all been for bigger movie projects.
Recently
I was told to create a 3.5 second self-portrait to be shown
in front of one of my films, so this is what I made. I did
this one fairly quickly (about 3 hours) and it's a little sloppy,
but I think the illusion works. The lightbulbs were created
and animated in Blender. This effect will will be used to a
great extent on my next film. |
| 
34
seconds; 3.4 mb |
Magic
Trick |
1/05 |
| I
had this idea pop into my head, and decided to try it. This
clip involved basic tracking and compositing, so I didn't
exactly accomplish anything new, but I did gain some more
experience with Blender particles. (The flame was stock footage,
but the smoke and sparks were particles.) It was fun to make.
Hope it strikes you... |
| 
43
seconds; 5.9 mb |
Telemedia
Premiere |
12/04 |
| This
was used as an intro to the "Telemedia Premiere"--
an exhibition of the films that my school puts out. For long
line of people, I short my classmates (and teacher) 5 times,
and stitched the clips together. To make it look more nighttime,
I did some color correction, and replaced the sky with some
dramatic clouds. And of course, the neon sign and spotlights
are fake. I rushed through the tracking, so some of the elements
are wobbly. |
| 
24
seconds; 6.6 mb |
On
the Brink |
10/04 |
| This
is a REALLY cool shot, integrating a greenscreened character
(that's me!) into a 3D environment. I was able to pull off
the dramatic camera move (which essentially goes 360°
around me) with only a swivel chair, a tripod, and a greenscreen. |
| 
35
seconds; 2.7 mb |
Unidentified
Hopping Object |
8/04 |
| Here
is some rather mysterious footage of what seems to be a miniature
robot... hopping around the house. This took almost 2 weeks
to finish. I was going for a home-video sort of look, which
is why you don't see anything important until you're already
17 seconds into the shot. Tracking was done with Icarus. 3D
was done with Blender. |
| 
34
seconds; 3.4 mb |
A
Spaceship in Suburbia |
9/04 |
| This
is all I've been working on for the past 3 months. While it
doesn't look perfect, I consider this my best fx test to date.
Probably cause it took so long...
I
used two free programs-- Blender & Icarus-- to track and
animate the spaceship. Icarus Import script (written by Alfredo
de Greef) available here. |
| 
12
seconds; 1.4 mb |
CLONING:
Direct Interaction |
10/03 |
| One
of the first effects I ever attempted was the basic masking
involved in "cloning"-- duplicating a character
in a shot. So here's the last one I've done, and the most
complex. There's no dialogue, but it was my first attempt
at direct interaction between clones: one of me passes a cup
of orange juice to another of me. It took me quite a while
to get this to look right. |
| 
2
seconds; 1.3 mb |
NightCrawler |
5/03 |
|
This is a test I did based on X-Men's Nightcrawler. I run
up to punch my brother, but he has super-human powers which
enable him to teleport. This was one of my first projects
in After Effects.
People
seem to like this one.  |
| |
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